It’s a good thing that director Lear deBessonet and producer Clyde Valentín have extensive experience in community-engaged participatory art — nine years ago she founded the acclaimed Public Works program at the Public Theater in New York City; he was the inaugural director of Ignite/Arts, a renowned community-arts incubator in Dallas since 2015 — because the scope of their newest project, One Nation/One Project, would overwhelm most artists and administrators.

One Nation/One Project, a partnership with the National League of Cities, is a truly national multi-year health-and-wellness initiative. Over the next two years, 18 communities scattered throughout the country will create hyper-local participatory and collaborative art works that in July of 2024 will be shared with a national audience. It’s a hugely ambitious project, a reimagining of the 1930s Federal Theatre Project, that looks to capitalize on a well-documented fact, namely that participating in the arts makes individuals and communities healthier.

Among the first cohort of nine sites that One Nation/One Project recently announced is the Kenan Institute’s very own community of Winston-Salem and surrounding Forsythe County. The Institute is working with several local partners — including the Arts Council of Winston-Salem & Forsyth County, Forsyth County Department of Public Health, United Health Centers and the City of Winston-Salem Department of Community Development — to support the program.

The other eight communities chosen are Gainesville, FL; Chicago, IL; Utica, MS; Providence, RI; Rhinelander, WI; Harlan County, KY; Edinburg, TX; and Phillips County, AR, focusing on the cities of Elaine and Helena.

In this interview with Pier Carlo Talenti, Lear and Clyde describe how they conceived and designed their ambitious project and share their hopes for the national healing the 18 local creations might engender. 

https://www.onenationoneproject.com/

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