Early in her career, Maura video essayist and performance artist Maura Brewer explored the relationship between representations of women in Hollywood films and the structures of contemporary capitalism. Through several often-tongue-in-cheek video pieces, she focused on the actor Jessica Chastain, who at the time was being typecast in films such as “Zero Dark Thirty” as a steely go-getter who paid a steep personal price for her ambition.

In recent years, Maura’s focus has shifted from representations created by capitalism to the underlying financial structures that uphold it. To wit, she is deep into a years-long project titled “Private Client Services” that explores how the rich launder money through art acquisition and sales. In this project, which Maura is documenting meticulously through video and writing, she herself is doing the very thing she is studying, namely laundering money through art.

Maura is not entering this world entirely dewy-eyed, however. For several years, in addition to being an artist, she has worked as an experienced professional private investigator, garnering skills that are proving invaluable in her forays into the world of money laundering.

Her work has been exhibited at spaces including MoMA and the Museum of Contemporary Art in Chicago and is in the collection of the Los Angeles County Museum of Art. Her projects have appeared in The Guardian, CBS News and The Paris Review. She is a 2023 Guggenheim fellow, a 2022 Creative Capital fellow, and a recipient of the Fellowship for Visual Artists at the California Community Foundation and the City of Los Angeles Master Artist Fellowship.

In this interview, she details how she, once a fiber artist, harnessed her own investigative talents to create performance and video art about a crime that uses art as its primary instrument. 

https://maurabrewer.com/

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