For sound artist and ethnographer Brian Harnetty, listening is perhaps even more important than composing. He is passionate about capturing the essence of a place through his creations, and his work therefore involves venturing into towns and landscapes armed with his microphone and recording everything from ambient sounds to oral histories. It also involves in-depth research in archives and libraries to discover a community’s often forgotten history, images and archival recordings.

The geographic area to which he is most devoted is Appalachian Ohio. His parents and their forebears hail from those mountains, and though he currently lives a 90-minute drive away in Columbus, OH, over the years he has spent enough time in the area not only to gain a deep understanding of its landscape and people but also to earn the community’s trust, an essential component of his work.

He wishes his compositions — sound collages might be a better description — to have a social impact. Not only do those who listen to his creations gain a rich appreciation for a region that for decades has been marked and scarred by extractive industries, but the community members who contribute their memories hear the richness of their culture and history echoed back to them.

Brian, who is currently a Faculty Fellow at Ohio State University’s Global Arts and Humanities Discovery Theme, has released nine albums. The influential music magazine MOJO gave two of his most recent albums, “Shawnee, Ohio” and “Words and Silences,” five stars out of five, and “Wire” magazine placed “Words and Silences” at position number five on its top 10 list of 2022’s modern-composition albums.

In this interview with Pier Carlo Talenti, Brian explains how he arrived at his sonic ethnography practice and what strategies he uses to make his work with the utmost integrity. 

https://www.brianharnetty.com/

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