The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to the eagerly anticipated ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art. In the latest episode, Peruvian artist Sara Flores approaches the Lady Dior as a global canvas to promote Kené, the ancient visual language of the Shipibo-Conibo people, indigenous to the Ucayali River in the Peruvian Amazon. Traditionally applied as body painting and on ceramic and textiles intended for clothing, using local plant-based pigments such as turmeric and annatto, the painstaking artistic practice of Kené is passed down by mothers to daughters. Flores’ intricate geometric paintings of labyrinths, images that come to her in visions triggered by psychoactive plants grown in the jungle, reflect the complex interconnected web of life found within the Amazonian rainforest.   For Dior Lady Art, Flores celebrates the traditions of her people with two unique handbags directly inspired by her Kené designs, crafted from vegan pineapple leather and tocuyo cotton hand-painted with vegetal dyes. The first, a medium-sized model, features a handle adorned with a cosmic serpent, its surface sparkling with a constellation of black beads, while the second, a mini bag, is embellished with a maze of shimmering silver gems. Also embroidered with a serpentine motif, the bags convey the concept of spiritual healing through the intentional paths traced by the strokes. These remarkable pieces do more than just captivate the eye, they engage the senses, shedding light on the enduring legacy of ancient cultural traditions as they carry a message of respect for the natural world.    Download the episode to learn more about Sara Flores’ universe and the Dior Lady Art experience. Hosted by Ausha. See ausha.co/privacy-policy for more information.

The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to the eagerly anticipated ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art. Our latest guest, the celebrated Chinese artist Liang Yuanwei, takes the bag’s status as an emblem of artisanal craftsmanship with rich cultural connotations to new heights, interweaving references to her impasto “Golden Notes” series and Ru ware from the Song dynasty. Blending ancient and new techniques, her captivating Lady Dior resembles a porcelain object, with the artist’s textured brushstrokes evoking crackles in the glaze. Layered with symbolism, the bag’s edges in antique gold metal echo traditional gilding techniques, while its color recalls the signature celadon green shade of Ru ware. Its creation required a series of painstaking processes. The artist’s calligraphic brushstrokes, which differ in power and do not overlay the other, were reproduced in resin using a 3D printing process before being broken into pieces, like a puzzle, and then recomposed on a velvet base. Download the episode to learn more about the artist’s fascinating Dior Lady Art journey and how this experimental process, and collaborating with the House’s artisans, has impacted her creative approach. Hosted by Ausha. See ausha.co/privacy-policy for more information.

The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to the eagerly anticipated ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art. For our latest guest, the American artist Vaughn Spann, collaborating on Dior Lady Art meant a change of scale. Adopting a conceptual approach, the New Jersey-based talent recalibrated details from a selection of his monumental works for three distinctive day-to-night variations of the Lady Dior that capture the signature otherworldly colors, materiality and feel of the original works. Spann’s color-blocked red and black “Flame” Lady Dior has a richly textured, fiery, volcanic feel, while for the “Dalmatian” design, gridded, spotted abstractions offer a graphic twist on the bag’s signature motifs. Meanwhile, for his “Marked Man” Lady Dior, a giant opaque “X” motif floats on a sheer pink plexiglass base topped by a retro briefcase handle, playfully blurring masculine-feminine codes.  Embodying a cross-pollination of fashion and art, the contemporary creations are designed to accompany the wearer on different occasions, whether to a gala, a nightclub or on a ski trip, offering the opportunity to live with the artist’s paintings in a more compact and intimate way. Download the episode to learn more about Spann’s universe and Dior Lady Art journey. Hosted by Ausha. See ausha.co/privacy-policy for more information.

La nouvelle série Dior Talks, présentée par la journaliste parisienne Katya Foreman, met à l'honneur la très attendue neuvième édition de Dior Lady Art. Pour l’occasion, onze artistes de renommée internationale ont été invités à réinterpréter l’emblématique sac Lady Dior et à en faire une œuvre d’art unique. Passionné de nature, tout comme Monsieur Dior, notre invité est l’artiste Duy Anh Nhan Duc, né au Vietnam et installé à Paris. Véritable poète botanique, il crée des installations éthérées en utilisant des mauvaises herbes et des fleurs sauvages, capturant l’essence d’un univers enchanteur. L’artiste récolte ces plantes oubliées autour de son atelier au Pré-Saint-Gervais, celles qui poussent entre les fissures des trottoirs et qui rappellent les jeux de son enfance. Parmi elles, salsifis, chardons, blé, trèfles et akènes de pissenlit qui, lorsqu’on souffle dessus, s’envolent en une myriade de graines. Ces végétaux sont ensuite minutieusement séchés dans son atelier avant d’être intégrés à ses œuvres, dans une exploration fascinante des cycles de la vie et de la fragilité de l’instant présent. Pour Dior Lady Art, l’artiste a transposé sa passion des plantes sauvages sur un Lady Dior immaculé, alliant simplicité organique et élégance virtuose. Une profusion de plantes en relief orne le cuir vegan, rehaussée par des broderies délicates. En lieu et place du cannage emblématique, un treillis métallique finement travaillé symbolise un jardin ouvert à tous. Le sac se pare également de branches dorées en métal précieux et cache un secret : un talisman unique, une graine de pissenlit dorée et préservée à jamais dans une goutte de résine. Découvrez cet épisode pour plonger dans l’univers fascinant de l’art végétal de Duy Anh Nhan Duc. Hosted by Ausha. See ausha.co/privacy-policy for more information.

The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to the eagerly anticipated ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art. A lover of nature like Monsieur Dior himself, our latest guest is the Vietnam-born, Paris-based artist Duy Anh Nhan Duc, a green-fingered poet who creates ethereal installations composed of common weeds and wildflowers, forming the essence of his enchanting universe. The artist collects them near his studio in Le Pré-Saint-Gervais, focusing on the “forgotten plants” that push through the cracks of sidewalks – the type he would play with as a child – from salsifies, thistles and wheat to clover and dandelion puffballs that, when blown, disperse into an explosion of seeds. He then painstakingly dries them in his studio to use in his works, weaving a fascinating dialogue from the cycles of life, focusing on the fragility of the moment. For Dior Lady Art, the artist imprints his passion for wild plants onto a pristine white Lady Dior, fusing organic simplicity with virtuoso elegance. A profusion of plants embossed into vegan leather is enhanced by delicate embroidery, while in lieu of the iconic cannage quilting, a delicate wire trellis is partly exposed, symbolizing a garden that is open to all. Adorned with contrasting golden branches crafted from gilded metal, the bag also contains a hidden surprise: the secret talisman of a gold-embellished dandelion, captured in a drop of resin for all eternity. Download the episode to learn more about Duy Anh Nhan Duc’s remarkable vegetal artistry. Hosted by Ausha. See ausha.co/privacy-policy for more information.

The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to t ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art. Collaborating with Dior Lady Art for a second consecutive season, artist Jeffrey Gibson, a member of the Mississippi Band of Choctaw Indians and Cherokee descent, returns with a piece inspired by his 2017 punching-bag sculpture “LOVE IS THE DRUG,” themed around the complexities of loving and being loved.  An advocate of artisans, materials, pattern and adornment, the New York-based artist – known for his ultra-colorful works that combine traditional Native American craftsmanship with a bold, almost psychedelic aesthetic – also plays with texts and slogans, embracing the power of speech as he celebrates the forgotten and the marginalized.  Thus, his latest Lady Dior is fully beaded on one side, with the word “Love” repeated three times in a signature LCD-style font, while the other is loaded with over 70 jangling 3D-printed hearts.  “Being a person of color traveling around the world – I’ve lived in London, South Korea, Germany and different states in the United States – I think I’ve really always paid attention to how people dress themselves and adorn themselves,” says the artist. “I’m really interested in different kind of movements, whether it’s feminist movements, LGBTQ movements or Indigenous liberation movements, and the ways that we codify that in how we dress.” Download the episode to learn more about Jeffrey Gibson’s fascinating universe. Hosted by Ausha. See ausha.co/privacy-policy for more information.

The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to the eagerly anticipated ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art.   Our latest guest is artist Hayal Pozanti, who explores dreaming as a collective power to create a new reality. The Turkish-born, US-based artist lives in Manchester in rural Vermont, a town surrounded by forest-covered mountains, endless lakes and rivers and waterfalls and greenery.   Drawing on the tradition of plein air painting, Pozanti creates preliminary pastel sketches during hikes which she transforms into large-scale landscapes, painting with oil sticks, her fingers, her hands and body. The artist draws upon her experiences of the natural world, her dreams and her intuitions, directing the gaze towards a fictional elsewhere that feels irresistibly real.   For Dior Lady Art, Pozanti has created three Lady Dior bags inspired by her art and travels into the heart of the mountains. The first two designs feature details drawn from her passion for trekking: sheepskin inserts reminiscent of the lining of hiking boots, custom carabiners hand-crafted by the Dior Ateliers and feet recalling the star-shaped tips of walking poles. The iconic “D, I, O, R” charms are translated into hieroglyphs conceived by the artist.    Based on a painting Pozanti created on a beach during a full moon, the third model is a clutch painted with a nocturnal panorama and embroidered with comet-like trails of rhinestones; the interior is covered with mirrors, offering a reflection of oneself and the earth. “It's a painting that encompasses all that is magic about our world,” says the artist.   Download the episode to learn more about Hayal Pozanti’s fascinating universe. Hosted by Ausha. See ausha.co/privacy-policy for more information.

Welcome to ‘Feminism’, the new series of ‘Dior Talks’ podcasts, hosted by Justine Picardie. ‘Dior Talks’ creates fascinating spaces for expression, exploring the imaginations and discourses of the artists and thinkers who influence Maria Grazia Chiuri. ‘Feminism’ engages in dialogue with the women who have inspired the Creative Director of Women’s collections and taken part in bold, empowering collaborations with the House. An exceptional roster of guests shares the magic of their thinking and the key moments of their careers with biographer and journalist Justine Picardie.     In this very special, two-part episode, Justine Picardie goes back to the origins of it all with Maria Grazia Chiuri herself, who was the guest on the very first ‘Dior Talks podcast’ on the subject of feminist art in March last year. On this occasion she is joined by her dynamic daughter and muse Rachele Regini, to delve deep into the issues and passions which drive them both in the work they do and the intellectual and creative journeys on which they embark.     Maria Grazia Chiuri needs little introduction. She has been at the helm of Dior since 2016, creating the ready-to-wear and haute couture collections for the House and pursuing a radical, multi-generational and multinational manifesto for contemporary womenswear. This year she published ‘Her Dior: Maria Grazia Chiuri's New Voice’, featuring the work of over thirty of the photographers with whom she has collaborated for the House. Rachele Regini is her daughter with husband Paolo Regini and was raised in Rome. She studied Art History and then Gender Studies at the prestigious Goldsmiths College of Art in London and now lives and works in Paris, where she is a cultural advisor in the Dior creative department.   In this episode, the trio discuss the meaning of sisterhood, the female spirit through the generations and the challenges of female creativity past and present. Maria Grazia Chiuri reminisces about her journey to a career in fashion and the changes which have taken place in the roles which women can now play in the industry. Like the Creative Director’s own mother, women were historically expected to be dressmakers, while men became couturiers. Paradoxically, they talk about the huge changes in fashion wrought by Monsieur Dior and how his New Look revolutionized the way women dressed.     Regini elaborates on how her studies and research, into politics, gender, art and activism, have influenced her own style and the dialogue around stylistic and political principles which she shares with her mother. Crucially, the two also discuss manhood, and how the modern notion of masculinity can be reinterpreted, how fashion can play a vital role in removing stereotypes and redefining sexual politics. Both mother and daughter are avid readers and passionate advocates for women’s genius and liberation, and the ways in which fashion can express and promote both.   Hosted by Ausha. See ausha.co/privacy-policy for more information.

Welcome to ‘Feminism’, the latest series of ‘Dior Talks’ podcasts, hosted by Justine Picardie. ‘Dior Talks’ creates fascinating spaces for expression, exploring the imaginations and discourses of the artists and thinkers who influence Maria Grazia Chiuri. ‘Feminism’ engages in dialogue with the women who have inspired the Creative Director of Women’s collections and taken part in bold, empowering collaborations with the House. An exceptional roster of guests shares the magic of their thinking and the key moments of their careers with biographer and journalist Justine Picardie. This episode finds actress Felicity Jones talks about the huge changes which have taken place in the worlds of theater, film and television in the last few years, with the advent of the #MeToo movement and the increasing challenge to patriarchal structures. Through her more than twenty-five-year career, Jones has seen a revolution in gender politics across the board and has been witness to the exposure of the misogyny which she herself has experienced in the industry. She and Picardie also discuss women in the history of literature, both in drama and prose, and how long it has taken film and television to catch up with the central role which female characters have always had in the culture and canon. Felicity Jones was born in Birmingham in 1983, to an advertising executive mother and journalist father. She started acting at age 11, in an after-school workshop run by Central Television. At 14 she was starring in the TV series The Worst Witch and had a long-running role in the BBC Radio 4 soap opera The Archers. She has starred in many major television productions in the UK, as well as in the USA, and has appeared in numerous stage plays, including at the Donmar Warehouse and Royal Court Theatre. In 2011, she won a Special Jury Prize at the Sundance Festival and has also been nominated for Best Actress at the Academy Awards, the BAFTAs and the Golden Globes. In 2018, she starred in On the Basis of Sex, a biography of Supreme Court Justice Ruth Bader Ginsburg. Here, Picardie and Jones get to the heart of the female experience of the world of acting. Picardie is a longtime admirer of the actress’s work, and their conversation travels from industry dynamics, the frustrations of working on an all-male set, the snail’s pace of the industry’s promotion of women’s leading roles and the changes and challenges which Jones has seen and overcome. They delve into the problematic notion of male genius and its erasure of historic female collaboration, and they discuss the remarkable life and career of Bader Ginsburg. The actress is a fan of Maria Grazia Chiuri and has worn her creations for Dior many times, and at many key events in her career. As she herself puts it, Chiuri designs clothes which a woman “can wear down the pub”, an apt expression of the feminism and freedom which fashion can nurture. Hosted by Ausha. See ausha.co/privacy-policy for more information.

Welcome to ‘Feminism’, the new series of ‘Dior Talks’ podcasts, hosted by Justine Picardie. ‘Dior Talks’ creates fascinating spaces for expression, exploring the imaginations and discourses of the artists and thinkers who influence Maria Grazia Chiuri. ‘Feminism’ engages in dialogue with the women who have inspired the Creative Director of Women’s collections and taken part in bold, empowering collaborations with the House. An exceptional roster of guests shares the magic of their thinking and the key moments of their careers with biographer and journalist Justine Picardie. In this third episode, Picardie talks to Eleonora Abbagnato, one of the most important female ballet dancers of her generation. The native Sicilian has risen to the top of the fiercely competitive world of classical dance in both Paris and Rome. She has formed a close and fruitful friendship with Maria Grazia Chiuri, whom she asked, in 2019, to design costumes for ‘Nuit Blanche’, a new production paying tribute to composer Philip Glass, created by young French choreographer Sébastien Bertaud, in which she starred. Chiuri’s enduring love of dance and movement chimed with Abbagnato’s passions to form the first in a series of profound collaborations. Eleonora Abbagnato was born in Palermo, Sicily, in 1978. No one in her family had ever danced before, but at the age of four she started to dance on her own in front of the mirror at home. She left her childhood home at age ten to study dance in Monte Carlo, and at 13 was touring Europe with legendary choreographer Roland Petit and his production of ‘The Sleeping Beauty’. She studied at the elite École de Danse de l’Opéra de Paris and joined the legendary Paris Opera Ballet in 1996. She has since had a meteoric ascent and, in 2021, is looking forward to her farewell performances as an étoile, or principal, this summer. She has also been highly prolific in her native Italy, where she co-hosted the Sanremo Festival in 2007 and, since 2015, has been the Director of the Corps de Ballet at the Teatro dell’Opera di Roma. Here, Justine Picardie and Abbagnato hit the discursive ground running, comparing impassioned notes on the history of classical dance, the changing role of female dancers and the challenges, both mental and physical, that ballet presents. Abbagnato opens up about the huge strain female dancers in particular are put under by (mostly male) choreographers but goes on to reflect on the important and vitalizing contribution women directors and choreographers are now making to the field. She considers the importance of motherhood, both the inspirations of her own mother and also her hopes and ambitions for her young daughters today. They unwrap the special connection she has formed with Maria Grazia Chiuri, and the understanding of the essence of form and movement that has enabled her and her fellow dancers to express such beauty and empowerment while performing in the designs of the house of Dior. Hosted by Ausha. See ausha.co/privacy-policy for more information.